TERMINATOR GENISYS (2015)
Starring: Arnold Shwarzenegger, Emilia Clarke, Jai Courtney, Jason Clarke
Director: Alan Taylor
Plot: To save mankind from extinction, Kyle Reese goes back in time to protect the woman who will be the mother of the man who will lead the humans in the future war against the machines. Nah! Just kidding. This movie is nothing like that.
Rating: PG-13 Because nobody does R rated action movies anymore.
Hey kids. It’s Tom, your DVD Critics Corner pal. Sorry I haven’t been around that much the past few months, but my job as a retired black ops soldier turned pro kite surfing champion who occasionally solves crimes the CIA won’t touch has been keeping me really busy.
Why just the other day as I was hanging from the landing skid of a helicopter with one hand with bullets and rockets whizzing by my head and a briefcase full of recovered nuclear missile launch codes in my free hand when it hit me; it this what I’m all about? Am I fulfilled?
The answer was no. So the CIA gave me a nice going away party, erased most of my memory, and here I am, back at my post as… what is it I do here?
I think the CIA gave me the deluxe memory wipe package.
Speaking of memory wipes, I want you to forget everything you know about the Terminator movies. Forget Skynet, forget a young Linda Hamilton running from a Michelin Man sized Arnold Shwarzenegger, forget everything that happened in Terminator Salvation – seriously, forget everything about that movie – because the latest installment of the venerable sci fi saga, Terminator Genysis has rebooted/revamped the franchise with a plot twist that has everything in the Terminator universe all topsy turvy and higgledy piggeldy.
Higgledy piggeldy is a movie reviewer word. Only we can use it. Let’s move on.
As the movie opens, it’s 2029 and the last surviving humans are duking it out with the Skynet and their evil army of robots. Under the leadership of John Connor (Jason Clarke), Skynet is on the ropes, but they activate their time machine to send a Terminator cyborg back in time to kill John’s mother in 1984. Kyle Reese (Jai Courtney, more wooden than ever) Connor’s most trusted soldier, volunteers to get naked and travel back in time to protect Sarah’s pretty little head from the menacing Arnold-bot.
Reese arrives in 1984 Los Angeles. But before he can play Donkey Kong on Colecovision or catch an episode of Dynasty, he’s set upon by a T-1000 liquid metal robot, who’s not supposed to be there. Before lunkhead Reese can figure out what is going on, he’s rescued by a gun toting Sarah Connor (Emilia Clarke) and her T-800 bodyguard “Pops” (Arnold Schwarzenegger; still looking darn good) who have a lot of plot exposition to lay down.
Turns out Pops was (for reasons not explained) sent back into the 1970’s to protect Sarah when she was 9, so Sarah grew up knowing that her son was destined to lead the human resistance, a T-800 would be sent to try to kill her in 1984, and most importantly, she has to do the no pants dance with Kyle Reese to insure her son is born.
That’s a lot of pressure on a little kid. When I was nine all I worried about was returning a book to the library on time. Hey, those late book fees could cost you 8 cents a month!
Since Sarah and Pops have already taken care of the T-800 cyborg sent to kill her, they want to now go forward in time to 1997 to stop Skynet from going online using the time machine she and Pops built in their secret underground bunker, which makes that old dresser you and your dad restored and repainted in the garage look really lame in comparison
But wait! Kyle suggests they go ahead in time to 2017, because when he was travelling back in time, he saw an altered timeline when his younger self tells him to go to 2017.
Remember all those sci fi books, movies, and TV shows that told us that mucking around in the past would cause irreparable damage to the future, and the end result could be a rift in the space time continuum that causes the collapse of the universe itself?
Nah! Forget that crap! According to Terminator Genisys, the timeline welcomes our abuse. So do whatever you want with it! Change the past, mess with the future, it’s all good! Don’t pay any attention to what Doc Brown said! Stupid old geezer…
Anyhoo, Sarah and Kyle travel forward to 2017 to find that Skynet isn’t a high tech defense computer controlling our nuclear weapons. In this new timeline it’s a super cool operating system named Genisys that’s about to go online to an adoring public hungry for a faster app that will help share pictures of the sandwich they are about to eat with strangers.
Sarah and Kyle hook up with an aged Pops, who has been hanging around awaiting their arrival for 33 years stockpiling more weapons in the bunker and catching up on his soaps. The valiant trio gears up to destroy Skynet/Genisys, but a new, stronger, smarter, T-3000 cyborg is running things now, and he looks a lot like someone they all know!
Terminator: Genisys has lots of action and cool effects – the fight scene between “Pops” Arnold and his younger bulkier 1984 self is especially fun – the usual stuff you’d expect from a Terminator movie.
Which is fine, I guess.
The problem is the cast. As Sarah Connor, Emelia Clarke has a hard time filling Linda Hamilton’s combat boots. And Jai Courtney, bless his little heart is really trying to make a go with this whole acting thing, but when Arnold freakin Schwarzenegger shows more range playing an emotionless cyborg, maybe it’s time to try something new. I don’t care if he’s dreamy! He’s a lousy actor! Man, I wish the voice in my head would leave me alone when I blog!
To sum up, I guess those Hollywood movie folks thought the whole “change the timeline” thing would help reboot the Terminator franchise the same way it did for Star Trek in 2009, but this case the time tripping franchise makeover falls flat.
Still, it’s always good to see Arnold stepping back into one of his signature roles. And it’s nice to see Emelia “Game of Thrones” Clarke in a role that requires her to wear a shirt.
I didn’t write that last part. The voice in my head insisted I put that in.
He is such a prude.